Showing posts with label Dodo. Show all posts
Showing posts with label Dodo. Show all posts

Sunday, March 31, 2013

7-5. Return of the Rocket Men.


2 episodes: The Scourge of the Skies, The Trail of the Rocket Men. Running Time: Approx. 68 minutes. Written by: Matt Fitton. Directed by: Lisa Bowerman. Produced by: David Richardson. Performed by: Peter Purves, Tim Treloar.


THE PLOT:

It is rookie pilot Steven Taylor's 21st birthday, and he's delivering supplies to the colony world Ulysses 519. It's an easy assignment... until he comes under attack by the ruthless space pirates known as "the Rocket Men." He is brought down by the forces of the sadistic Van Cleef (Tim Treloar). Van Cleef tortures Steven using his ancient Smith & Wesson pistol, shooting both of the young man's legs before Steven is saved by another Rocket Man.

Years later, it is pilot-turned-time traveler Steven Taylor's birthday, which he learns when the Doctor uses his astral map to identify the date. Not that it matters. As Steven observes, a birthday doesn't mean much in the TARDIS; any given trip might mean he's incredibly ancient or not even born yet.

Then the TARDIS materializes on Ulysses 519, only to find the colonists in hiding. When they learn where they are, and that the colonists are under attack from the Rocket Men, Steven realizes that his life has come full circle...


CHARACTERS:

The Doctor: When he learns that the colonists' attackers are the Rocket Men, he advises them to stay hidden and just let the pirates take what they want. He knows firsthand how dangerous they are; and as he points out, supplies can be replaced but people cannot. This doesn't stop him from rigging up a distraction in Episode Two and then basking in his own cleverness when it works. Peter Purves does a wonderful job of suggesting William Hartnell's performance, which makes visualizing the First Doctor an easy task.

Steven: This is set shortly before The Savages, and the story is framed as a lead-up to Steven's departure. Writer Matt Fitton echoes the refrain of "When do you know?" from John Dorney's original Rocket Men. This time, the question asks when it's time to move on, which helps this to feel like a very personal story for Steven. Recalling his torment at the hands of Van Cleef, he's as determined to fight the Rocket Men as the Doctor is to avoid them. After events spin out of control, he recalls all the friends he's lost in his travels with the Doctor. He resolves not to allow more deaths, even if it ends up costing him his own life.

Dodo: She's enthusiastic about celebrating Steven's birthday, presenting him with a gift from the TARDIS stores. She's delighted to meet another girl her own age on the colony, bonding with her with an ease Steven envies. She also fights back when Van Cleef takes her hostage, kicking him hard enough that he's still feeling it in the second half.

Van Cleef: An appropriate name for a villain with an admiration for the Old West. I like Van Cleef better than the original story's Ashman. Several scenes are shown from Van Cleef's viewpoint, which makes him feel more distinct as a character than Ashman did. He relates how he got his prized Smith & Wesson and how he subsequently rose to captain. Part of his admiration for the ancient gun is its simplicity. Van Cleef likes to keep things simple: straightforward hits on vulnerable targets, meaning maximum profit for minimal risk. He's also a sadist who enjoys killing for its own sake, and he isn't afraid to make examples of his own men - which ends up coming back to haunt him in more ways than one.


THOUGHTS:

John Dorney's The Rocket Men was a good story that benefited from excellent character work, particularly in its examination of the Ian/Barbara relationship. It was also notable for a nonlinear structure that moved surprisingly smoothly between the Rocket Men crisis and the time travelers' arrival at the location, so that what would have been Episode One of a television story was cut up into Episodes Two and Three.

Writer Matt Fitton shows his respect for the original in several ways. He opens and closes both episodes with the "When do you know?" refrain, reframing it in a way that's as appropriate to Steven as its use in the original was to Ian. The structure is more straightforward; but Fitton works the incident from Steven's youth into the current story, allowing for a small nod at nonlinear structure, complete with us eventually seeing the flip side of the opening scenes.

This is principally an adventure story, and the action zips along nicely. The narrative begins with an action scene, and much of the second half is taken up by a full set piece. Descriptions are sufficient to sketch the characters and locations in our minds, but spare enough to avoid slowing things down.

The setting is less interesting than the first story's. There are no otherworldly sights or strange creatures here. If this was a televised story, it would be one of those that was shot entirely in a quarry. But it moves. It's fast and exciting, and it captures all three regulars well. Yes, even Dodo.

The only real nit I can pick is a tiny one: The means of Steven's survival is obvious pretty much from the start. Still, I never got the feeling that this was meant to be any type of surprise. The device used is a well-worn trope, but there is still enjoyment from seeing it well applied.


OVERALL:

One warning for new listeners: Writer Matt Fitton assumes that his listeners will have followed the entire First Doctor/Steven range, as this story includes a big spoiler for the Companion Chronicle, The First Wave. If you have yet to listen to that story, then do not listen to this until after you've caught up!

That aside, Return of the Rocket Men is an entertaining and well-paced action/adventure story. It may lack the unique setting of the original... but while I'd probably rank the first one as the better story overall, I think this one is more fun.


Overall Rating: 7/10.

Preceded by: The First Wave (not yet reviewed)

Previous Television Story: The Gunfighters
Next Television Story: The Savages

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Sunday, September 26, 2010

2-1. Mother Russia.

Mother Russia cd cover.

2 episodes. Running Time: Approx. 68 minutes. Written by: Marc Platt. Directed by: Nigel Fairs. Produced by: Sharon Gosling. Performed by: Peter Purves, Tony Millan.


THE PLOT:

After their misadventure in Tombstone, the Doctor, Steven, and Dodo decide that it's time for a vacation. When the TARDIS brings them to a village in early 19th century Russia, the place seems ideal. It is 1812, the year of French Emperor Napoleon Bonaparte's invasion of Russia - but the war is still distant, and they are safe for now. They can at least linger until Steven's new friend, Semion, is married.

But the night of the wedding is when it all goes wrong. There are lights in the sky that the Doctor and Steven recognize as a space battle, and an escape pod crashes nearby. Semion goes to investigate, and Steven follows to keep him safe. However, Steven is knocked unconscious - and when he awakes, Semion is behaving strangely.

Eventually, Steven realizes that the crashed ship belongs to "a thief of shapes," an alien who has impersonated Semion. By then, however, Napoleon's men have reached the area and are advancing on Moscow. This is when Steven would usually rely on the Doctor to set things right - but the Doctor is waiting to greet the French army, going up to Napoleon in person to promise him victory!


CHARACTERS:

The Doctor: Talks his and his companions' way into the count's household, securing a position for himself as tutor to the man's son and Dodo as companion to his daughter, while leaving Steven time for relaxation that he can sense that the young man badly needs. He remains cautious of history - but when crisis strikes, he cannot make himself stand by. When the villagers begin burning food stocks to deprive the French army of them, he urges them to just hide the food instead so that they won't starve themselves. They don't listen, but at least he tries.

Steven: He knows he's pushing his and his companions' luck by agreeing to stay until Semion's wedding, but he doesn't want to disappoint his new friend. He later reflects that he should have left as soon as he walked in on the Doctor and Dodo worrying about their location. He's almost supernaturally non-genre savvy. Knowing that the crashed alien is a shapeshifter, and seeing the Doctor behaving oddly, it still takes until very late in the story for him to figure out what almost every listener will realize immediately.

Dodo: Writer Marc Platt writes well for this often poorly served character. Dodo is portrayed as friendly with the villagers and enthusiastic, which is entirely consistent with her television characterization. At one point, Steven is unable to get the villagers to answer questions about Semion. Dodo starts banging on windows, which Steven obviously considers pointless... until Semion's fiancée opens her window and tells her what she wants to know. She also expresses pity for the French soldiers when the Russian winter begins to fall.

Semion: The forester shows Steven how to track and hunt. As Steven notes, Semion spends a lot of that time making fun of his ineptitude, but the two enjoy each other's company and become fast friends. When the Imposter Semion wanders into the village later, Steven is concerned and tries to get the man to come back to himself before he finally realizes what has happened. Peter Purves does a splendid job of voice acting in this story - but I will say that his accent for Semion sounds less Russian and more like Purves's audition for a particularly hammy Dracula.

Napoleon Bonaparte: Only seen late in the story, after his army reaches Moscow. Though he's ostensibly won at this point, he doesn't behave like a victor. Instead, he's weary, perhaps already noticing on some level how precarious his army's position is. When Steven announces that he's on the Russians' side, Napoleon compliments him for his honesty - and orders him arrested, almost as an afterthought. It's an interesting characterization, one that makes me wish that his role was a larger one.


THOUGHTS:

Writer Marc Platt kicked off the Companion Chronicles range with the atmospheric Frostfire. He comes back to start the range's second season with Mother Russia, which manages to be even better.

A quality of Platt's writing that's particularly well-suited to this range is his economy. He is able to use very quick descriptions to create memorable images: A peasant village that contrasts with the count's estate; tracks from a crashed alien ship; panicking villagers burning their own homes and food stores; flames rising from inside Moscow. These visualizations are accomplished in a single sentence or sometimes phrase, making the world feel alive and layered without slowing the pace.

Napoleon's invasion is mostly a backdrop. Though the historical side works best if you have some familiarity, as ever, the Doctor still feeds us enough context to follow what's happening. We spend much of the first episode just seeing reactions to Napoleon's approach. The villagers anxiously ask the Doctor, Steven, and Dodo for news about the French; gunfire is heard in the distance; peasants from another village move listlessly along the road, having abandoned their homes and fled. It isn't until Episode Two that we directly see the French soldiers, and Napoleon only gets any real "screen time" near the end.

The story mixes genres effectively. There's the historical drama of the type often seen in the Hartnell era. Then there's the sci-fi plot, featuring an alien shapeshifter whose MO is more than slightly reminiscent of The Thing. Almost surprisingly, there is no clash in tone, the two threads coming together for a particularly strong ending.

This was Peter Purves's first Big Finish audio, and I think it remains one of his most impressive performances. His seemingly age-resistant voice allows him to recreate his 1960s performance as Steven, and he also does a fine job of capturing William Hartnell's Doctor. He even varies that performance just slightly when the alien impersonates the Doctor. It's the same overall "voice," but more abrupt and minus any sense of warmth.

This difference becomes particularly apparent when the real Doctor and the imposter face off. At this point, Purves switches between his normal voice (Steven/narration), his "real Doctor," and his colder "imposter Doctor" from one line to the next. It's so seamless that I actually forgot that all of this was the same actor!


OVERALL:

Mother Russia is an excellent story from one of Big Finish's most reliable recurring writers. It offers a strong sense of setting and an interesting historical backdrop, melding that with a well-turned alien menace. The story builds from a leisurely start to a gripping final Act, and the ending is exceptional, both the climax and the brief epilogue.

All told, I'd rank this as one of the very best Companion Chronicles.


Overall Rating: 10/10.

Previous Television Story: The Gunfighters
Next Television Story: The Savages

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